Showing posts with label downtown Louisville breweries. Show all posts
Showing posts with label downtown Louisville breweries. Show all posts
Tuesday, September 13, 2016
Reach out and touch Against the Grain on the occasion of its 5th anniversary party.
Strangely, the e-mail did not generate virtual chicken feathers. Here's the story.
---
Against the Grain
401 E. Main Street
Louisville KY, KY 40202
502-515-0174
atgbrewery.com
It’s a quinquennial celebration!
Our five-year anniversary is not to be taken lightly as we’ve been planning it all these years! We’ll be opening our time capsule filled with treasure from our first year, along with, music from Tony and the Tan Lines, a giant chiquen piƱata, and more oohs and ahhs to party all night long. Everyone who is anyone is going to be there, so you might as well come too.
For more information on our anniversary party or any other happenings at Against the Grain, please reach out!
Katie Molck
Marketing & Media Maven
Sunday, July 24, 2016
Reviews of Old Louisville Brewery's first round of beers.
I'm delighted to see OLB generating discussion.The notion of a brewery in Old Louisville seems to have captured the fancy of many.
Here's an introduction ...
The Old Louisville Brewery is about to open, with Axl Rose rumored as John Wurth's website pinch-hitter.
... followed by an in-depth look at the beers, which may or may not still be pouring.
That's the fun of it, right?
A review of Old Louisville Brewery’s first batch of beers, plus what they’re releasing next, by Scott Recker and Syd Bishop (web only; LEO)
Tucked away on an unassuming part of Magnolia Street near Sixth Street sits Old Louisville Brewery, the latest edition to the city’s collection of beer creators. This past weekend, co-owners and brothers Ken and Wade Mattingly opened the doors to the brewery, which features a taproom inside and a dog-friendly patio with a walk-up window outside. Currently, they have four house beers on draft as their first batch of releases, which we stopped by to try. We also took time to talk with the brothers about what we can expect in the near future.
__
Thursday, July 21, 2016
The Old Louisville Brewery is about to open, with Axl Rose rumored as John Wurth's website pinch-hitter.
Remember how my provocative and controversial column used to be where the hiatus is now?
Remember my two (1, 2) amazing appearances on the now-defunct podcast?
You might recall that this here creator of revolutionary content has time on his hands and plenty of bones left to pick.
Tanned, rested and soapbox-ready -- which is precisely what Wade and Ken Mattingly no longer will be now that their brewery is about to open for business.
All breweries are a pain to coax into existence, but these guys have worked uncommonly long and hard to tap their dreams. Check out the Facebook page and make plans to try out the new kids on the block.
Now, John ...
Old Louisville Brewery Set to Open Friday, by John Wurth (Louisville Beer Dot Com)
Remember LouisvilleBeer.com? Remember John Wurth? (Who?) Remember Episode 11 of the now-defunct Louisville Beer Podcast?
Hopefully, you remember at least one of these. You might recall that this here’s a website that’s been on a bit of hiatus, because of Wurth’s busy day job and family schedule. Then, maybe you’ll also have some fond memories of when we had Wade and Ken Mattingly on the ol’ podcast back in November of the year 2013. Memories…
Well, here we are back in the year 2016, and Old Louisville Brewing is on the verge of opening on Friday, July 22. They hosted a soft open tonight, and invited me to attend. While they don’t have their Peanut Ale on tap YET, I got to sample some of the wares, and was pretty pleased.
__
Monday, March 14, 2016
THE POTABLE CURMUDGEON: Two decades of Beer Corner barrels.
THE POTABLE CURMUDGEON: Two decades of Beer Corner barrels.
A weekly column by Roger A. Baylor.
My first Great American Beer Festival was in 1997, and it proved to be a liberating experience.
By tradition and designer, the GABF is about beer brewed right here in America, as opposed to imported brands, which at the time still comprised the bulk of better beer options in metropolitan Louisville.
It always was my goal to help shift this balance. Denver was far ahead of Louisville, and seeing what worked in Denver was an invaluable opportunity.
My GABF tickets came through the good offices of Bluegrass Brewing Company, and I dimly recall this as being advantageous, as they included access to certain perks not available to general admission ticket holders.
It transpired that one of these was a tasting of “vintage” beers, including a vertical Alaskan Smoked Porter selection. Imagine my surprise when I was seated at a table with the late, great beer writer Fred Eckhardt. He seemed to be a perfectly regular guy, but then again, almost everyone was.
It was the primeval, pre-rock-star-brewer phase of the revolution. Very quaint, indeed.
Eventually I had the chance to ask Eckhardt a question: What did he consider the best beer he’d ever beer sampled at the GABF?
After mulling for a moment, his answer was Goose Island’s Bourbon County Stout, and in retrospect, it seems surprising to learn that BCS was only brewed for the first time in 1994, a scant three years before my chat with Eckhardt.
Originally it was Goose Island’s 1,000th batch, and as schoolchildren in Siberia know by now, it came about by aging Imperial Stout in used bourbon barrels brought to Chicago … from Kentucky, of course.
Barrel-aging was a suitably exotic notion in 1997, although back in Louisville, the dawning age of “microbrewing” already had produced an instance of similar experimentation.
In 1994 at BBC’s original St. Matthews brewpub, brewmaster David Pierce filled a used bourbon barrel with Doppelbock and allowed it to sit outside during a wintry snap. Water freezes before alcohol, so voila! BBC barrel-aged Eisbock was the result.
I’m not sure any of it ever passed my lips, but that’s okay. The GABF tickets more than made up for it.
---
My most recent assignment as columnist for Food & Dining Magazine was a profile of Louisville’s Goodwood Brewing Company, to be published in the May/June/July issue.
While researching this essay, I came across a relic of past barrel-aged aspirations. A newer generation of visitors to the “beer corner” of Main and Clay in downtown Louisville might not know that “craft” brewing actually began there almost two decades ago.
Pipkin operated from 1998 through 2001, when BBC bought it and launched its own production brewery at the Beer Corner. In fact, Pipkin had been contract-brewing and bottling BBC brands prior to the changeover.
In retrospect, it’s easy to understand what happened. Pipkin was financed, planned and constructed to be profitable at a theoretical production capacity projected to be reached quickly. It never got there, with familiar ramifications.
Trust me. I know these all too well.
Pale Ale and Brown Ale were intended as Pipkin flagships from the outset, later augmented by Porter and a few gimmicks tied to local universities, and when sales of these brands were too slow, contract brewing was introduced for cash flow.
But the ultimate problem with contract brewing is that it enhances the value of someone else’s brands, not your own.
Many have since been compelled to learn Pipkin’s lessons: Whether the start-up capital comes from a financial institution, a helpful lottery-winning angel or the founding family’s own pockets, there is an unforgiving logic to its expenditure. Keeping one’s nostrils barely above water is better than drowning, and yet subsistence offers no margin for error – and no ability to leverage necessary further investments.
It is a painfully familiar sensation.
---
Around the year 2000, Pipkin borrowed a page from the Goose Island playbook and released a Bourbon Barrel Stout. For many of us, it was Pipkin’s best ever beer. I’m not entirely sure who conceived and shepherded this idea, but my guess is brewer Paul Philippon, future mastermind of the Duck-Rabbit Craft Brewery in North Carolina.
That’s right. Philippon brewed for Pipkin.
I’ll never forget my reaction. How could this not be the single best idea in local brewing history? Bourbon Barrel Stout, brewed in Kentucky and aged in bourbon barrels from Kentucky. Just imagine if the brewery partnered with the distillery and cross-marketed the results?
At the time, it annoyed me that Pipkin Bourbon Barrel Stout was a one-time seasonal release. I told anyone who’d listen that it should be the only beer Pipkin brewed; after all, there was ample warehouse space at the Beer Corner. Clear ‘em out, stack 'em high, and go all in.
Now I can see that Pipkin’s precarious situation surely precluded such a marshaling of resources. A barrel-aged program would have required substantial outlays of time and money, and the brewery had a surplus of neither. It’s a fond memory nonetheless, and Pipkin Bourbon Barrel Stout should be remembered as a Louisville trailblazer.
In 2006, BBC began brewing its Jefferson’s Reserve Bourbon Stout (the distillery tie-in later ceased). Alltech’s Bourbon Barrel Ale was launched around the same time. Bourbon Barrel Stout was BBC’s mainstay in markets outside Kentucky, and remains the basis of Goodwood Bourbon Barrel Stout.
In 2016, wood “touches” every beer Goodwood brews, whether by aging “in” (a barrel) or “on” (added to the process).
The rest of the Goodwood story? It's coming in May.
---
March 7: THE POTABLE CURMUDGEON: Can I get a “do-over” on Naughty Girl?
February 22: The PC: Beef Steak and Porter always made good belly mortar, but did America’s “top” steakhouses get the memo?
February 15: The PC: Swill in youthful times of penury and need.
When the Euro '85 series returns: Leningrad USSR.
_
My first Great American Beer Festival was in 1997, and it proved to be a liberating experience.
By tradition and designer, the GABF is about beer brewed right here in America, as opposed to imported brands, which at the time still comprised the bulk of better beer options in metropolitan Louisville.
It always was my goal to help shift this balance. Denver was far ahead of Louisville, and seeing what worked in Denver was an invaluable opportunity.
My GABF tickets came through the good offices of Bluegrass Brewing Company, and I dimly recall this as being advantageous, as they included access to certain perks not available to general admission ticket holders.
It transpired that one of these was a tasting of “vintage” beers, including a vertical Alaskan Smoked Porter selection. Imagine my surprise when I was seated at a table with the late, great beer writer Fred Eckhardt. He seemed to be a perfectly regular guy, but then again, almost everyone was.
It was the primeval, pre-rock-star-brewer phase of the revolution. Very quaint, indeed.
Eventually I had the chance to ask Eckhardt a question: What did he consider the best beer he’d ever beer sampled at the GABF?
After mulling for a moment, his answer was Goose Island’s Bourbon County Stout, and in retrospect, it seems surprising to learn that BCS was only brewed for the first time in 1994, a scant three years before my chat with Eckhardt.
Originally it was Goose Island’s 1,000th batch, and as schoolchildren in Siberia know by now, it came about by aging Imperial Stout in used bourbon barrels brought to Chicago … from Kentucky, of course.
Barrel-aging was a suitably exotic notion in 1997, although back in Louisville, the dawning age of “microbrewing” already had produced an instance of similar experimentation.
In 1994 at BBC’s original St. Matthews brewpub, brewmaster David Pierce filled a used bourbon barrel with Doppelbock and allowed it to sit outside during a wintry snap. Water freezes before alcohol, so voila! BBC barrel-aged Eisbock was the result.
I’m not sure any of it ever passed my lips, but that’s okay. The GABF tickets more than made up for it.
---
My most recent assignment as columnist for Food & Dining Magazine was a profile of Louisville’s Goodwood Brewing Company, to be published in the May/June/July issue.
Goodwood’s identity dates to 2015 and a rebranding of the entity once noted for brewing Bluegrass Brewing Company’s beers under license for packaging and distribution. The brewery’s new name is fully intentional, meant to inform beer lovers of the roles played by wood and water.
“We became Goodwood because we are known throughout the region and industry as experts in barrel aged products,” says Goodwood’s CEO, Ted Mitzlaff.
While researching this essay, I came across a relic of past barrel-aged aspirations. A newer generation of visitors to the “beer corner” of Main and Clay in downtown Louisville might not know that “craft” brewing actually began there almost two decades ago.
Something's brewing on East Main -- or will be soon, by Terry Boyd (Louisville Business First; September 8, 1997)
A 30-year-old Pennsylvania native plans to brew and distribute bottled beer in Louisville for the first time since Falls City Brewing Co. left town for Evansville, Ind., in 1978.
But, unlike brewpub/restaurant operations that combine suds and grub, his new venture is only about wholesale beer, says Paul Hummer III, president and brew master of Pipkin Brewing Co.
Pipkin operated from 1998 through 2001, when BBC bought it and launched its own production brewery at the Beer Corner. In fact, Pipkin had been contract-brewing and bottling BBC brands prior to the changeover.
In retrospect, it’s easy to understand what happened. Pipkin was financed, planned and constructed to be profitable at a theoretical production capacity projected to be reached quickly. It never got there, with familiar ramifications.
Trust me. I know these all too well.
Pale Ale and Brown Ale were intended as Pipkin flagships from the outset, later augmented by Porter and a few gimmicks tied to local universities, and when sales of these brands were too slow, contract brewing was introduced for cash flow.
But the ultimate problem with contract brewing is that it enhances the value of someone else’s brands, not your own.
Many have since been compelled to learn Pipkin’s lessons: Whether the start-up capital comes from a financial institution, a helpful lottery-winning angel or the founding family’s own pockets, there is an unforgiving logic to its expenditure. Keeping one’s nostrils barely above water is better than drowning, and yet subsistence offers no margin for error – and no ability to leverage necessary further investments.
It is a painfully familiar sensation.
---
Around the year 2000, Pipkin borrowed a page from the Goose Island playbook and released a Bourbon Barrel Stout. For many of us, it was Pipkin’s best ever beer. I’m not entirely sure who conceived and shepherded this idea, but my guess is brewer Paul Philippon, future mastermind of the Duck-Rabbit Craft Brewery in North Carolina.
That’s right. Philippon brewed for Pipkin.
I’ll never forget my reaction. How could this not be the single best idea in local brewing history? Bourbon Barrel Stout, brewed in Kentucky and aged in bourbon barrels from Kentucky. Just imagine if the brewery partnered with the distillery and cross-marketed the results?
At the time, it annoyed me that Pipkin Bourbon Barrel Stout was a one-time seasonal release. I told anyone who’d listen that it should be the only beer Pipkin brewed; after all, there was ample warehouse space at the Beer Corner. Clear ‘em out, stack 'em high, and go all in.
Now I can see that Pipkin’s precarious situation surely precluded such a marshaling of resources. A barrel-aged program would have required substantial outlays of time and money, and the brewery had a surplus of neither. It’s a fond memory nonetheless, and Pipkin Bourbon Barrel Stout should be remembered as a Louisville trailblazer.
In 2006, BBC began brewing its Jefferson’s Reserve Bourbon Stout (the distillery tie-in later ceased). Alltech’s Bourbon Barrel Ale was launched around the same time. Bourbon Barrel Stout was BBC’s mainstay in markets outside Kentucky, and remains the basis of Goodwood Bourbon Barrel Stout.
In 2016, wood “touches” every beer Goodwood brews, whether by aging “in” (a barrel) or “on” (added to the process).
The rest of the Goodwood story? It's coming in May.
---
March 7: THE POTABLE CURMUDGEON: Can I get a “do-over” on Naughty Girl?
February 22: The PC: Beef Steak and Porter always made good belly mortar, but did America’s “top” steakhouses get the memo?
February 15: The PC: Swill in youthful times of penury and need.
When the Euro '85 series returns: Leningrad USSR.
_
Tuesday, March 08, 2016
Musings on Falls City, standards of longevity, and that strange word "craft."
From the outset, let's be clear. I'm a big fan of what Falls City is doing these days. My wife and I like Over the 9, the Falls City/Old 502 gastropub.
We took friends there recently, and they also enjoyed it. Verily, by doing business where it does, Falls City is playing a leading role in reconnecting Portland with downtown, and this matters to me a great deal.
Falls City's latest bottle releases, Kentucky Common and Easy Goer Session IPA, are 4% abv and 4.5% abv, respectively, and that's huge; finally, there is ballyhoo about session-strength releases, and I'll be drinking a lot of the Kentucky Common.
To summarize, I'm coming from a position of friendship and appreciation.
This said, a headline at Louisville Business First is slightly misleading, and with requisite gentleness and scrupulous objectivity, I'd like to explain why.
One of the city's oldest craft beer breweries is rolling out the biggest product line expansion in its history
Before I tell you, let's look at the story from last week's roll-out.
... The brewery is adding a new year-round offering, Kentucky Common, which is inspired by the city's pre-Prohibition bourbon industry, along with a family of seasonal beers, including Easy Goer Session IPA, according to WLKY-TV.
Kentucky Common has ingredients that are similar to a bourbon distiller's mash, and that style is one that originated in Louisville, the story said.
Cezary Wlodarczyk, Falls City's CEO and president, said he hopes the beer will be offered at Keeneland Racecourse in Lexington and Churchill Downs in Louisville. Wlodarczyk said the beer is iconic and deserves a presence in the state.
The headline identifies Falls City as one of Louisville's "oldest craft beer breweries." Allow me to observe that this is a tad far-fetched, although Louisville Business First merely takes its cues from Falls City's own web site.
In 1905 a group of bartenders and grocery store owners had had enough with being forced to buy, serve, and sell beer produced by a local beer monopoly. So they got together and created Falls City Beer. At that moment of rebellion and independence, Louisville’s first craft beer was born.
And ...
Craft beer before craft beer was cool.
In fairness, I've embraced a cynical, post/pre-craft position with regard to the use of this word, and it is quite possible that "craft" currently possesses almost no coherent definition whatever. Still, as a functional curmudgeon, I strive for accuracy. In this instance, verifiable chronology is available to assist us.
- The original Falls City Brewing Company operated in Louisville from 1905 through 1978.
- The original American "microbrewery" was New Albion, founded in 1976.
- In 1984, the word "craft" was used for the first time, and the New York Times did not use the word until 1997.
- The "old" Falls City, which had nothing whatever to do with micro- or craft-brewing, was contract-brewed in Pittsburgh until 2007.
- Today's Falls City began contract-brewing in 2010 and brews on-site, too.
If 2010 represents Falls City's contemporary inception, then it was preceded in Louisville by at least seven other breweries during the period of "craft" beer's ascendancy -- some lasting, some morphing, others folding. BBC and Cumberland Brewery predate the "new" Falls City by 17 and 10 years, respectively.
A brewery reborn in 2010, while "craft" by most any sensible modern definition, is not one of the city's "oldest" in the same chronological sense.
Concurrently, a brewery originally born in 1905 hardly can be referred to as a "craft" brewery, since neither the usage nor the concept existed then.
The "new" Falls City has brewed certain of its beers on site, in Louisville, at two locations since 2011 or thereabouts, with a short break when the Barrett Avenue taproom closed and the brewery was reinstalled at the present 10th Street location. Flagship brands continue to be contract-brewed elsewhere.
All this is admirable, and as noted, I'm a fan. But Falls City, while "craft," is not one of Louisville's "oldest" "craft" breweries.
Of course, perhaps we might dispense with "craft" altogether and move forward with the reclamation of good, real and true beer. Falls City certainly is helping fulfill this mandate, because as Cresant Smith rightly observes in her assessment of last week's brand introduction, Falls City's Kentucky Common is delicious ... as well as historically accurate.
Falls City Brewing Co Expanded Line-Up of Beers (Louisville Beer Dot Com)
I was able to try the Kentucky Common and it was very easy to drink. It very well matched the Beer Judging Certification Program standards of what a Kentucky Common should taste like. Medium amber in color, moderately grainy/corn aroma with a medium sweet flavor. Bready, toffee notes and gentle carbonation. It finishes semi-dry and clean.
Note that Over the 9 will be my first stop for Session Day 2016.
Come drink beer with me on Session Beer Day, April 7, 2016.
_
Saturday, February 27, 2016
Diary: A lovely Friday morning jaywalking in Louisville, with coffee, a bagel and beers.
For the first time since 1999, there was no Gravity Head for me, but our friends from Dayton OH were coming down for it, as is their habit. It was decided to meet them for lunch, and because my wife works in downtown Louisville just a few blocks from Over the 9, the Falls City/Old 502 gastropub was our choice.
It occurred to me that if I rode with Diana to work, there'd be time for me to walk around downtown, drink coffee and people watch. Once upon a time, I worked for a company called UMI-Data Courier in a building on 5th Street (now demolished, as was the adjacent Standard Gravure). That was 28 years ago, and yes, the area has changed -- often for the better.
In 1988, a brand new retail development called Theater Square was underway where 4th Street meets Broadway. There was a deli there, and it sold inexpensive Carlsberg in bottles. On occasion, a liquid lunch was merited, until management quashed it.
Later, Bluegrass Brewing had a restaurant in the same spot. Now both Theater Square and the BBC are gone as Kindred constructs a building on the site, although I'm told that BBC will reopen after completion. Let's hope so. It was nice to have a few BBCs before walking a block to the Louisville Palace performance venue for shows.
On Friday, I began with coffee, and lots of it. Heine Brothers (above) has a shop on 4th Street. So does Nancy's Bagels (below) on the south side of 4th Street Live opposite the defunct Theater Square.
The garlic bagel with lox spread from Nancy's was heavenly. I had a double espresso at each, and then another at Sunergos down the way on 5th.
At some point during the morning, enjoying a pleasant caffeine buzz, I remembered that recently, Louisville mayor Greg Fischer decided to crack down on jaywalkers as a response to the fact that so many speeding drivers regularly strike (and usually kill) pedestrians.
It gripes my cookies, because jaywalking is an entirely artificial construction meant to buttress autocentrism.
Philosophically, the problem with jaywalking laws is that they treat pedestrians as a menace to cars, instead of vice versa. The laws first emerged in the United States in the early 20th century, when automobiles first began competing for space with pushcart vendors and playing children. As University of Virginia historian Peter Norton has documented, carmakers prevailed by winning legal restrictions on pedestrian movement — and promoting the very term “jaywalking,” which originally meant something like “the clueless wandering of hapless rubes.”
Accordingly, I decided to devote my Friday morning to jaywalking as much as possible. I stopped counting at 13 times, two of them in full view of the police. I was not cited. Wonder why?
Perhaps I'm not black enough, or street-person enough. Either way, Fischer remains an empty suit, and civil disobedience was making me seriously thirsty. It was eleven a.m., and I was waiting outside the door at Gordon Biersch when the key could be heard making its turn.
The drinking day promptly began with a lovely Marzen. It was hard to leave that stool.
By the time I arrived at Over the 9 just before noon, I'd walked five miles. Our friends arrived. We caught up with life and dined on fish and chips. I had a Black IPA and a Smoked Baltic Porter, and thanks to the friendly people there, an advance sample of one of the new bottled releases coming on Tuesday, March 1. But I won't ruin the surprise.
I'll have to make time for more mornings like this one. It was good practice for Session Beer Day.
Come drink beer with me on Session Beer Day, April 7, 2016.
I'm toying with the idea of starting before lunch and traversing downtown Louisville on foot, much like Leopold Bloom in James Joyce's Ulysses -- walking from brewery to brewery, and having a session beer at each. Most usually have at least once 4.5% choice available on draft.
I'm doing pints, and won't be driving. If I could manage this without a single "Session IPA," it would suit me just fine.
The brewery list, traveling roughly west to east, would be Falls City, Gordon Biersch, BBC 3rd Street, Against the Grain, Goodwood and Akasha. Others might be too far away to walk, but perhaps they could sell kegs to Akasha for duty on the guest taps.
I know: It's a work day, and so is Friday. However, if you're interested in joining me, let me know. I just may see you on Session Beer Day, 2016.
_
Wednesday, February 03, 2016
Come drink beer with me on Session Beer Day, April 7, 2016.
As noted in January, Lew Bryson has returned to beer and beer blogging. Happily, he's been beating the drum about Session Beer Day, 2016.
Specifically, Lew has issued a challenge to brewers.
SESSION BEER DAY 2016 IS ON!
... If you're a brewer interested in participating, it's simple. The "session IPA" has taken over the American session beer category, when it was supposed to be a meta-category, a category that would include many different types of beer at 4.5% and less. Session beer awareness is supposed to be about increasing choices for the beer drinker...and we largely got one extra choice out of it.
Snap out of it! Take this opportunity to show off your skills and make a session-strength beer, 4.5% or less (you can do it; you can go lower!), that doesn't rely on shouting hops for all its character. We get it, brewers know how to make a light, wildly hoppy beer: EVERY brewer's doing it.
Be different! On April 7th, show us some real innovation, or some real skills to make a beautiful example of a classic session-strength beer that stands apart from the herd of 'monkey-see, monkey-do' dialed-down IPAs.
I cannot "like" this sentiment often enough. This year's Session Beer Day takes place on Thursday, April 7, and I feel a scheme coming on.
Of course, for several years at NABC, I've tried to coordinate Session Beer Day as the de facto "close" of Gravity Head. Lew was in town once for the occasion. I'm no longer in a position to make NABC's observance happen, and cannot be sure if it will. In fact, I've been shrugging so often lately that I may be compelled to break with practice and visit a chiropractor.
But I've bounced the date off Rick Stidham at Akasha Brewing Company in Louisville, who thinks he might have as many as three session beers pouring. He'd like to do something to mark the occasion. There is no firm plan (yet) apart from holding a ceremony at Akasha later in the afternoon, and yet this should be sufficient to keep the tradition alive.
As for me, I'm toying with the idea of starting before lunch and traversing downtown Louisville on foot, much like Leopold Bloom in James Joyce's Ulysses -- walking from brewery to brewery, and having a session beer at each. Most usually have at least once 4.5% choice available on draft.
I'm doing pints, and won't be driving. If I could manage this without a single "Session IPA," it would suit me just fine.
The brewery list, traveling roughly west to east, would be Falls City, Gordon Biersch, BBC 3rd Street, Against the Grain, Goodwood and Akasha. Others might be too far away to walk, but perhaps they could sell kegs to Akasha for duty on the guest taps.
I know: It's a work day, and so is Friday. However, if you're interested in joining me, let me know. I just may see you on Session Beer Day, 2016.
_
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