Showing posts with label local craft beer. Show all posts
Showing posts with label local craft beer. Show all posts

Sunday, September 06, 2015

In a new quotation mark war, British "craft" brewers to take stab at "craft" definition.

The great questions of our age.

Is there free will?

Do supernatural beings exist?

What is meant by "craft"?

I still use the word if it suits me, primarily when it's easier to facilitate communication without delving into what might as well be theology.

However, at the current time it matters little to me. My basic tool for making determinations in "craft" as in other decisions about where my money goes remains this working definition of independent business, as offered by the American Independent Business Alliance (AMIBA):


  • (I) Private, worker, community or cooperative ownership. 
  • (II) At least 50% locally-owned. 
  • (III) Decision-making authority is vested in the local owners and not subject to conditions dictated remotely. 
  • (IV) The business has a limited number of outlets, which are limited to a 150 mile radius.


It isn't perfect, and at times I ignore it, because the point always has been shift. I try to patronize as few chains as possible, and while this isn't easy when it comes to buying groceries, it's not so hard to decide when looking for beer, and where to drink it.

Can craft beer really be defined? We're about to find out, by Tony Naylor (The Guardian)

Next month, possibly in a secret underground bunker, but more likely in a pub, the leading lights of new wave British brewing will meet to do something that, so far, beer geeks have found impossible. They will define what craft beer is in the UK.

This attempt by the new United Craft Brewers (UCB) to codify craft is essential in their mission to, “promote and protect the interests of British craft brewers, their beers and beer enthusiasts.” UCB has been established by the scene’s big guns – Brewdog, Beavertown, Magic Rock and Camden Town Brewery are among its founders ...

... Defining what is and isn’t craft beer is notoriously difficult. You cannot restrict it to a list of ingredients, like the historic German purity laws, because modern brewers want to use everything from coffee grounds to chillies in their beers. You cannot define craft beer in terms of how it is packaged, as Camra did with real ale, because it already comes in cask, keg, can, bottle and – who knows? – probably Tetrapak cartons and PET bottles soon, too. Nor is an ambitious company such as Brewdog (it is poised to hugely increase its brewing capacity and already owns 35 bars) likely to signup to something that restricts craft breweries to a certain size, be that in terms of volume production – as craft breweries are primarily regulated in the US – financial turnover or diversification of the company’s interests.

Monday, August 25, 2014

The PC: Anti-local craft beer unconsciousness, revisited.

The PC: Anti-local craft beer unconsciousness, revisited. 

A weekly web column by Roger A. Baylor.

The Crescent Hill Craft House has opened on Frankfort Avenue in Louisville, and while I haven't yet had the chance to visit, I already know what I'll be drinking first.

It will be a BBC beer from the St. Matthews location. The exact one doesn't matter. My reasoning is that BBC's owner Pat Hagan is involved in the Craft House as well, and the Craft House pours only local and regional beers. It's an elastic definition, as it should be, and the point remains valid: Pat's kept BBC in the game for 22 years, and I'll drink one of his beers to thank him for it, and to celebrate the all-local concept.

It's been a year and a half since I wrote the following column, and in retrospect, nothing's changed for me. Consider it as one dedicated to the advent of the Craft House, and the hope that the concept embraced by Pat and his partners yields solid returns.

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“Art can never take the place of social action … but its task remains forever the same: to change consciousness.”
-- Amos Vogel, from “Film as a Subversive Art”

When will craft beer finally change the consciousness of the American beer-drinking mainstream?”

I’m tempted to answer one question with another: Should mainstream consciousness ever be the desired outcome for craft beer?

But let’s play it straight. Some might say that craft beer consciousness already has arrived. Craft beer’s availability is wider than ever before, and statistically, most Americans live within close proximity to a craft brewer, even if the average measurement is skewed by Michigan as compared to the Deep South.

Slowly, even this imbalance is changing, and craft beer consciousness is penetrating all geographical areas of the country.

More tellingly, America’s copycat megabrewers are quite conscious of craft’s escalating impact. Through imitation and outright, unrepentant piracy – the only recourses for corporate regimes cruelly deprived of the creative gene – mass-market mockrobrews, from Blue Moon and Shock Top to zombie craft beers like those from the late, lamented Goose Island, now are routinely positioned to distract truth seekers. As always, bucket loads of marketing cash are wielded to pull soothing layers of mistruth and gloss over the eyes of the undiscerning.

Overall, my personal view about craft beer’s consciousness is that for all our obvious gains, we’re not quite “there,” at least yet.

Rather, when sociologists and psychologists at last begin studying craft beer drinkers close up and personal, we’ll know that mainstream consciousness has drawn to within a whisker, because there is no more reliable indicator of mass-market impact than the urgent need to understand the behavior of those consumers inhabiting segments poised for profit. That’s how the real money gets made.

While the analysts and shrinks are cogitating, perhaps they can help me with persistent examples of what might be termed cognitive dissonance in craft consciousness.

A prime example includes the inability (read: unwillingness) on the part of credentialed craft beer enthusiasts to tell the difference between craft and crafty as they avert their eyes from the Goose Gambit’s shelf-space-seeking drones, which are intended primarily to shift money to faraway corporate shareholders. It’s the most patently obvious bait-and-switch tactic since door-to-door driveway resealing, and yet it is ignored by many who plainly know better.

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While we’re at it, these battered and blotted Rorschach findings also may help explain the most disquieting aspect of craft beer consumer behavior, at least to me: Anti-local craft beer unconsciousness.

It is my aim to re-situate the burgeoning craft beer movement within a context of economic localization, to revert the revolution to its point of origin, and to describe how the very consciousness of buying local is important both in non-beer terms, and in the specific way it impacts the craft beer ethos. Recently I wrote:

Shift happens. It is perhaps the single, fundamental tenet of emerging economic localism, and when it comes time to have a beer, the concept of shift means putting this principle into liquid practice.

Having acknowledged the efficacy of buying local, as measured by factual indices consistently recognizing that localism keeps more money in one’s community, my household is incrementally shifting toward local sources of goods and services, whenever practical.

Shift is a process, not an all-or-nothing crusade. If my shift to locally brewed beer implied being compelled to drink an inferior product, obviously I would think differently. Fortunately, it does not.

And yet for some otherwise knowledgeable practitioners of the craft beer ethos, “local” and “inferior” remain synonymous terms.

Why?

It is interesting to consider the contrasting reaction to “buying local” that exists, quite apart from the merits of local beer, when we speak of the retail sector: Hardware, groceries, clothing, floral arrangements and the like. I hear it often:

"But wait: You cannot compel me to spend more money than I wish to spend."

The perception is that buying local always entails higher expense to the consumer. Actually, numerous studies have addressed this perception, and the price differences therein typically are not as profound as imagined, if they even exist at all. Probably what doubters mean to say is that they cannot be compelled to surrender the big box, exurban shopping ease of finding all consumables under one roof – and that’s a different topic, one falling outside my parameters today.

But when it comes to craft beer, independent small brewers seldom hear objections about price, because craft beer enthusiasts understand that handcrafted products using higher quality ingredients within smaller economies of scale cost more than mass produced ones do. Consequently, a different and less readily explicable form of pushback occurs in the context of local beer and brewing.

How about some locally brewed beer, guys?

“No, because you cannot compel me to drink poorer quality beer. Only the best for me, you know."

This reply never fails to utterly befuddle me.

I’m a trained BJCP beer judge, and after thirty years in the beer business, obviously I’ve been around the block a few times – just ask my liver.

When I attend beer festivals these days, my samples invariably are drawn from “everyday” beers as made by small, local breweries, if only to remind me that seldom are these beers in any way unsuitable. On those rare occasion when there’s a quality problem, I’m constructively honest in identifying it, and if I can do so, in proposing a solution. Without dialogue, there cannot be a community. Without community, very little about craft beer interests me, anyway. Craft beer consciousness isn’t me against the world.

It’s us against the world.

Unfortunately, there exists a minority of self-identified craft beer opinion shapers for whom it’s never quite enough for local beer to be good, solid or sessionable.

What’s more, for them, local beer by definition simply cannot ever be “sexy” enough to justify a variant of beer enthusiasm sated only through insularity, exclusivity and narcissism, and before readers take me to task for erecting a straw man, permit me to add that I’m well aware of what such snobbery entails, because I’ve spent years now slowly recovering from its debilitating influence.

You’re damned right I’ve sinned, but consciousness is subject to evolution, and so is conscience. When I look back at my career in beer, I’m not always happy with my modes of expression, but know this: Narcissism’s not my gig, and never was. Expertise isn’t about keeping; with me, it’s all about teaching, and my record should speak for itself in that regard.

In my opinion, the breezy and frankly disdainful attitude that local beer cannot be good is a form of misplaced elitism and condescending snobbery ultimately injurious to craft beer’s larger interests. Attack mass-market swill at will; it deserves censure, but craft beer cannibalism is another matter entirely.

Beer as we know and love it does not exist in a societal, historical or ethical vacuum. Rather, craft beer consciousness exists within a community, and if we wish our community to grow sustainably, we must share our expertise broadly, not narrowly.

Consequently, I challenge the shadowy sect of narcissistic beer enthusiasts to help spread wisdom, not hoard it; to enhance local brewing and not detract from it; and in summary, to be part of the solution, not a collection of snarky Wonkas in the making. We have enough of that, already.

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Nevertheless, at the end of the day, I remain a realist. Nothing I write or say in this column can substantively change attitudes that derive from a wide variety of wants, needs and experiences. Life’s too complicated for simplicity and we’re all different as people, but what I can make absolutely clear is this:

I’ve got the backs of local, independent brewers in this region, and when the smack starts getting talked, I’ll be there to answer it. It’s a matter of deeply held principle.

Consider joining me by waving potential craft beer converts into the tent, not erecting barriers to their enlightenment. In such a fashion, consciousness changes – and grows.

Wednesday, August 20, 2014

Pop-up beer garden: ReSurfaced is coming to West Main Street in Louisville.


This posting includes some previously released palaver.

Yesterday in Louisville, Mayor Greg Fischer announced a "pop-up plaza and beer garden" coming to West Main Street in Louisville.

The web site is www.resurfaced.org.

Mayor Announces Vacant Space on Main St. to be Transformed into Arts, Performance Space

ReSurfaced initiative is a six-week project -- Sept. 19-Oct. 25

LOUISVILLE (Aug. 19, 2014) – A vacant block of West Main Street downtown will be turned into a temporary plaza with art, music, movies and craft beer, Mayor Greg Fischer announced today.

The project, called ReSurfaced, will take place Sept. 19 to Oct. 25 and involve local arts groups and architects, food trucks and local craft beer brewers, transforming 615 W. Main St. into a pop-up plaza and beer garden ...

As usual, a wee bit of local history is in order. Once upon a time in Louisville, there was to have been a 62-story skyscraper to be called the Museum Plaza.


It was not built, and the plan has been officially "dead" for at least three years.

In the run-up to Museum Plaza, several infrastructure improvement projects were completed by the city. One of them was on the 600 block of West Main Street, where four buildings were demolished, but their historic facades buttressed and kept intact. This was slated to be developed as the entrance to Museum Plaza from the Main Street corridor.

The space has remained vacant since 2007. Here is the bird's eye view of the hollow cavity.


This is the space intended to host ReSurfaced, and the beer is to be entirely locally brewed, which is a welcome development. The overall plan was discussed during recent meetings of a special committee to advise Mayor Greg Fisher on what the city might do with respect to supporting local breweries. I was happy to be a part of it. Now we'll see what happens next. ReSurfaced is a great idea, but as I've learned, implementation can be a real bear.

Wednesday, June 11, 2014

Savaging the Louder Than Life festival? Me neither.


I'm delighted to observe that my de facto columnar replacement over at LouisvilleBeer.com, the estimable Todd Pharris, already has gotten the hang of beer writing without reference to beer. In this week's posting, Todd puts 530 words on the board before mentioning beer at all.

Going to the Louder than Life Festival? Me Neither.

(530 words, then)

There will apparently also be local beer there. Good for local beer. I’m mentioning this to justify this article’s place on LouisvilleBeer.com.

Atta boy. Just don't horn in on my turf too closely.

Todd refers to a music (not beer) festival called Louder Than Life, being held in Louisville in October. I'd venture a guess that the participating bands loosely would be described as "metal," which is not so much my preferred listen. Moreover, the promoters are from elsewhere, and they've gotten plenty of attention (and criticism) so far with their promise of "gourmet man food."

Well, I've been known to be critical of such easy targets as they pertain to beer festivals -- but you see, this is not a beer festival. It's a music thing. Furthermore, after pulling teeth for years to convince more highly esteemed local music festivals (read: Forecastle) to care about local beer, the organizers of Louder Than Life emerged from the chute having already contacted local wholesalers about these options, and vowing to include local beer in the event.

Even if local beer at a metal fest were consigned to token status, it still would represent placement in front of a non-traditional, non-enthusiast crowd. I'm not sure I can find anything objectionable about that. To me, the goal has always been to have better beer everywhere, not just somewhere, and available for the times of our varied lives when we need it.

Consequently, as it appears right now, NABC beer will be available at Louder Than Life. I'm told that BBC, West 6th and Alltech are likely, as well.

Why not?
 

Friday, January 03, 2014

Can I think of any needed Improvements to Louisville Slugger Field? Hmm, well ...


Why, yes. In a pinch, racking my brain ... I may be able to come up with two items.

Local Beer.

Unfortunately, for as long as that football-field-sized AB InBev billboard keeps hold of management's collective wallets and conceptual cojones, it would be foolish to envision beer reform.

City to hire firm to evaluate Slugger Field, suggest improvements, by Marcus Green (WDRB)

Metro government plans to hire a firm to evaluate Louisville Slugger Field and suggest renovations, repairs and other improvements to the 14-year-old ballpark.

City officials are reviewing bids submitted last month for the work, which Louisville Bats president Gary Ulmer said is a first step in understanding the stadium's needs in the coming decades.

I've written about this issue numerous times in the past, in a saga that stretches back to Cardinal Stadium days prior to Slugger Field's construction. The song remains the same: Bats + craft beer = yearly embarrassment.

Here's a LouisvilleBeer.com piece from 2013 that summarizes the bleakness. In Louisville, we always "play ball" -- with the multinationals.

The Sahara of Slugger Field

The Triple-A Louisville Bats began play earlier this month amid the usual hot stove and cold fridge speculation as to whether Louisville Slugger Field finally would join the craft (beer) (food) (bourbon) (dining) (localism) (choose one) revolution currently underway in Louisville, as well as in most other baseball outposts scattered through the remainder of the United States.

If you’ve lived in these parts for any amount of time and possess the patience to read this far, you’ve already guessed the answer.

Nope.

Tuesday, October 15, 2013

The PC: I’m not kidding. Downtown New Albany is a craft beer destination.

(Published at LouisvilleBeer.com on September 15, 2013)

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I place little stock in seemingly ubiquitous on-line reader polls, and I don’t personally encourage anyone to vote.
In like fashion, the New Albanian Brewing Company refrains from asking its customers and fans to cast dozens of ballots for the sake of the cause. Some of the time we are mentioned in such polls, at other times not, but as a perennial underdog from unappreciated New Albany, to win, place or show in the absence of chest thumping and similar varieties of narcissistic campaigning always provides sweet vindication, especially if the voting is being conducted by a Louisville-oriented publication.
That’s why this year’s LEO Weekly Readers’ Choice poll results are pleasing to me. After finishing first in 2012, Bank Street Brewhouse placed second in the Best Restaurant (Southern Indiana) balloting, trailing Feast BBQ, and finishing just ahead of The Exchange. What the three of us have in common is a location in New Albany, where such a trifecta would have been unthinkable a few short years ago.
As Metro Louisville slowly awakens to the notion of downtown New Albany as a varied, quality “food court” worthy of attention, what may not be as obvious is the pervasive extent to which craft beer reigns supreme in these newer dining establishments.
Take it from me; it didn’t happen overnight.
The late, lamented Bistro New Albany opened in 2006, and closed roughly a year and a half later. It occupied downstairs space in an otherwise shuttered former hotel on the corner of Bank and Market, where the bar and restaurant used to be.
In rooms once filled with Sunday lunchtime churchgoers, local grandees and hotel patrons, most of them sipping sweet tea and nibbling at Salisbury steak with standard-order mashed potatoes, the BNA’s David Clancy conjured a contemporary bistro menu. Perhaps it wasn’t as daring as similar spots in Louisville, but the concept was revolutionary for a downtown largely moribund, and the effect was electric.
Better yet, Chef Clancy kept ten good beers on tap, all of the time. Some were imports, and others regional. Usually there were a couple of drafts from NABC, at a time when our outside distribution was quite limited. When BNA started, “craft” beer was about as unknown in downtown New Albany as nylons in Leonid Brezhnev’s USSR, but in the bistro’s wake, modernity gradually began creeping into the vacuum. Some of the establishments have since gone (Connor’s Place, The Speakeasy), but the food and drink generation to follow has made my city’s historic business district a place to go for craft drafts.
These thoughts first occurred to me one day in September, when I decided to have a beer for lunch, which I do quite often, occasionally varying the routine by including an edible morsel or two. Granted, the beer’s (somewhat) free for me at Bank Street Brewhouse, but it’s nice to maintain a schedule of visitations in the neighborhood to greet fellow operators and sample their wares.
On that day, my choice of venues for a purely liquid lunch revealed a masochistic streak, because it is almost impossible to sit for any length of time at Feast BBQ’s bar and resist ordering food.
To walk into this historic, lovingly restored tavern is to be wrestled to the ground by the visceral aroma of smoky meat; to pick oneself up and proceed to the bar provides a pleasing vista of one hundred or more bourbons, as well as a dozen taps devoted exclusively to beers brewed in Indiana and Kentucky. My choice was a Workingman’s Pilsner by Fountain Square Brewing Company in Indianapolis, and it was cool, crisp and tasty.
Before Prohibition, Feast’s space was designed for watering people. Their horses were cared for in the adjoining building, known as Shrader Stables, where The Exchange restaurant quickly has become downtown New Albany’s crown jewel, both architecturally and in terms of delicious gastropub cuisine. The cocktail program is extensive, and the draft beer selection tilted toward nationally distributed American craft brands.
On my first visit to the stables some years back, it was a grim picture of roof cave-ins, mildew and all-purpose decay, but on a more recent occasion, I enjoyed a hoppy Daredevil IPA (Shelbyville, Indiana) and admired workhorse local developer Steve Resch’s stellar building renovation, which is an attraction in itself, and arguably second only to Patrick O’Shea’s on Whiskey Row in downtown Louisville. The sleek modern lines of the YMCA’s building across Main Street reflects the refashioned stables in its windows, and the juxtaposition of urbanism is striking.
A few blocks west of Exchange and Feast is JR’s Pub, housed in a comfy, utilitarian building astride Main Street (i.e., the route to Horseshoe Casino), with outdoor volleyball courts in back, plenty of sports on television, and a half-dozen NABC beers on tap – making it the brewery’s largest draft lineup outside our own two pubs. JR’s fried fish sandwich is second to none, and the blue plate specials provide solid midday value. The vibe is purely egalitarian, and it’s a clean, well-lighted place with Bud Light bottle babies and Beak’s Best pint lovers mingling together.
Perhaps the most pleasing outgrowth of downtown New Albany’s transformation is an expansion of international flair. Dragon King’s Daughter (corner of Bank and Elm) offers sushi and Japanese-Mexican fusion cuisine, and follows in the noble tradition of the late, lamented Maido by pouring a half-dozen American craft beers at all times.
Habana Blues (Cuban), La Bocca (Italian) and Louis le Francais (French) are clustered on one short block of Market, which also boasts Toast on Market for breakfast, house-roasted Quills Coffee, a cigar shop and smoking lounge called Billow, and DP Updogs, a corner hot dog stand. Both Habana Blues and La Bocca have short draft lists with multiple NABC taps and other crafts and imports, although opting for a Mojito at Habana Blues can be forgiven.
On the other hand, while stocking very little beer, Chef Louis’s little slice of France specializes mostly in good wine, pointing to the availability of quality vino in downtown New Albany. River City Winery is located on Pearl Street, makes excellent pizza, and sells only its own house wines, as produced by the owner in the basement when he’s not on duty as a city policeman. JR’s, mentioned earlier, shares common ownership with the Old 502 Winery in Louisville, and of course those wines are featured at JR’s.
But there’s even more good beer downtown: On draft at the New Albany location of Wick’s Pizza (State Street across from Schmitt Furniture), in bottles at Café 27 on Main, and both ways at Irish Exit, a few blocks east in the direction of Mansion Row. Lastly, permit me a tout for my own business: Bank Street Brewhouse obviously features NABC’s beers of proven merit, a dozen on draft at a time, with another (or sometimes two) on hand pull, as well as the full range of 22-ounce bomber bottles. We arrived in 2009, and it’s been one hell of a ride so far.
For many years, downtown New Albany was a food and drink wasteland. Now, surveying the preceding list, I’m guessing that within easy walking distance of each other, there are 75 or more “good beer” taps from breweries ranging from Hoosier stalwarts NABC, Flat12, Sun King and Three Floyds to national brands like Boulevard, Stone, Bell’s and Shipyard – and don’t forget Keg Liquors on Pearl, only a few doors down from perhaps the one business downtown that really has seen it all: Kaiser Tobacco, operating since before the American Civil War.
Since 1832, in fact.
There’s a turn of local phrase: We’re all here because we’re not all there. But there’s much more here than before. Come over and check it out. Catch me on a liquid lunch day, and I may even be offering tours.

Monday, April 08, 2013

NABC is seeking a full-time brewery representative.


Just the other day, I broke the news that Richard Atnip is moving from one New Prefixed Brewery to another: Richard’s going to work for New Holland, and NABC wishes him the best.

Obviously, we need to recruit a replacement, and so I have posted a job description and information about how to apply.

Readers, if you or any of your friends might be interested in the position, please examine the description and share. Thanks. It is here: NABC is seeking a full-time brewery representative.